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Do arquivo como normalização ao arquivo como criação

Publication . NEVES, Eduarda

Fotografia e Arquivo organiza-se em volta de três temas distintos, mas que se complementam: o primeiro “Arquivos”, no qual se refletiu sobre o tema da arquivística e conservação de fotografia; o segundo “Arquivo” incidiu no uso do arquivo a partir da prática artística; e o terceiro tema “Narrativas” que pensou a concepção do arquivo como veículo para a construção de narrativas e interpretações.

2015-07Book part

Open access

EXPLORAR OS LIMITES

Publication . AAVV

NOTA INTRODUTÓRIA - Fátima Sales; FAZER ARTE DE BASES-DE-DADOS - João Cruz; COMPLEXIDADE, OS LIMITES DO CONTROLO - Carlos Faustino; VIDEOJOGO – TRANSFORMACIONAL DA EXPERIÊNCIA ESTÉTICA - Sandra Araújo; Y LA PALABRA SE HIZO CARNE - Yolanda Herranz Pascual; HELENA ALMEIDA. EL PROPIO CUERPO COMO LUGAR DE CONFRONTACIÓN CON EL LÍMITE - Sonia Tourón; MÁQUINAS POÉTICAS. MECANISMOS PARA EL ARTE - Maria Covadonga Barreiro; OS LIMITES DA DRAMATURGIA - Marta Freitas; OS LIMITES? QUE LIMITES? - Eduarda Neves

Publication . AAVV

APPROACHES TO MODERNITY

Publication . AAVV

FOREWORD - András Ferkai; FROM THE CITY TO THE BUILDING APPROACHES TO MODERNITY - LA TOURETTE AS A LANDMARK - Ana Lídia Virtudes; NOTES ON THE POTENCY OF ARCHITECTURE - Josefina González Cubero and Noemí Vicente Martín; PERMANENCE AND EXPERIMENTATION IN THE STRUCTURE OF MODERN SPACE - Iván I. Rincón Borrego; CHANDIGARH, THE INDIAN CITY OF LE CORBUSIER AND THE NOTION OF TIME - Rémi Papillault; POST-MODERNITY AS A CULTURAL WEAPON - Pedro Vieira de Almeida; COUNTER-ATTRACTION, OR, HOW TO MIES-READ ARCHITECTURAL HISTORY FOR OUR OWN PURPOSES - Zoltán Bun; TRADITION AND MODERNITY. THE HISTORIOGRAPHY OF THE SURVEY ON REGIONAL ARCHITECTURE - Alexandra Cardoso and Maria Helena Maia; WEAK ARCHITECTURE – COOL DISCIPLINE - Mariann Simon

2015-03Book

Open access

Notes on the Potency of Architecture

Publication . CUBERO, Josefina Gonzàlez; MARTÍN, Noemí Vicente

Since the modern age, ‘potency’ has been an attribute associated with the notion of beauty sought by certain architects. Potency is understood as clear and resounding, geometrically dominant, and prevailing over its surroundings. This attribute has carried down to the present as an end in and of itself in works that continued in the tradition of modernist architectural conception and that purport to define contemporary architectural design. However, there are several factors in the present that have varied and prevented ideas of the past from being carbon copied. These factors have to do with th e form’s material and therefore with the appearance and spatial perception of architecture. Lately, potency gels, even beyond its actual force, through the photography of buildings’ exteriors.

2015-03Book part

Open access