Publication
Recital de Música de Câmara ‐ Chamber Music in Practice: Professional Approach & Teaching Insights
dc.contributor.author | Wakabayashi, Paul | |
dc.date.accessioned | 2020-07-28T14:49:19Z | |
dc.date.available | 2020-07-28T14:49:19Z | |
dc.date.issued | 2020-07 | |
dc.description.abstract | For many musicians, professionals and students alike, our notions of chamber music are shaped by simple perceptions of the participants proficiency: the better the player, the better the performance. Thus, we value big names as a guarantee of excellence, as we assume that their technical facility assures good ensemble. However, in chamber music, technical proficiency of an individual is but one facet of a complex undertaking, consequently sensitizing students to the minutiae of subtleties of the genre, both musically and technically presents one of the biggest challenges to a teacher of chamber music. | pt_PT |
dc.description.version | info:eu-repo/semantics/draft | pt_PT |
dc.identifier.citation | Wakabayshi, P. (2020) Chamber Music in Practice: Professional Approach & Teaching Insights, TNP, Lisboa: ANSO | pt_PT |
dc.identifier.uri | http://hdl.handle.net/10400.26/33008 | |
dc.language.iso | eng | pt_PT |
dc.subject | Música da Câmara, Viola, Bruch, Debussy, Beethoven | pt_PT |
dc.title | Recital de Música de Câmara ‐ Chamber Music in Practice: Professional Approach & Teaching Insights | pt_PT |
dc.type | other | |
dspace.entity.type | Publication | |
oaire.citation.conferencePlace | Lisboa | pt_PT |
rcaap.rights | openAccess | pt_PT |
rcaap.type | other | pt_PT |
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