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É mulher? É homem? Não! São as superdrags!: uma análise dos enunciados discursivos da série
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 11.45 MB | Adobe PDF |
Authors
Abstract(s)
Este trabalho tem como objetivo central analisar discursivamente os enunciados do discurso LGBTI+, do discurso religioso, do discurso erótico além da intertextualidade contidos nos cinco episódios da primeira temporada da série SuperDrags, produzida e distribuída pela plataforma Netflix no ano de 2018. Tendo em vista que nosso objeto de estudo se configura como um produto cultural audiovisual seriado disponibilizado em uma plataforma de streaming, considerada uma hipertelia televisiva, a discussão sobre as mudanças impelidas ao gênero ficcional seriado se estabelece como um ponto importante para uma contextualização da extensão onde nosso objeto de investigação se instaura. Além disso, explanar a operacionalidade do humor, da ironia e dos estereótipos na composição de uma narrativa, especificamente, é outra circunstância debatida na confecção deste estudo uma vez que todos esses elementos são interpelados na série. E, por fim, numa tentativa de compreender as escolhas narrativa-discursivas de SuperDrags e de suplementar a parte analítica de nossa pesquisa, torna-se necessário o embate entre o que a regulação de gênero e de sexo impelem como aceito e aquilo que, por seu lado, a Teoria Queer defende, que nada mais é do que a subversão em nível sócio-cultural-político da dominação do sistema binário no qual sexualidade e gênero estão encaixados. Quanto à escolha metodológica, preza-se por um modelo teórico-analítico, por isso que a Análise do Discurso (AD) de corrente francesa é selecionada de maneira que assim se possa eleger conceitos importantes para a posterior análise. Por fim, quanto à análise, a intenção é verificar como os discursos, respectivamente LGBTI+, religioso e erótico aliados a intertextualidade, circulam na série, partindo da premissa de que SuperDrags se posiciona de maneira a defender a subversão da dominação imposta pelas normas de gênero e sexo fazendo-se valer do humor, da ironia e da articulação de estereótipos para atingir tal objetivo; e o que pode ser reiterado como resultado dessa análise é que nosso objeto de estudo corrobora discursivamente o pressuposto de subversão de gênero e de sexo.
The main objective of this study is to analyze discursively the statements presented in the LGBTI+ discourse, religious discourse, erotic discourse and the intertextuality contained in the five episodes of the first season of the SuperDrags series, produced and distributed by Netflix platform in 2018. Due to our object of study is configured as a serial audiovisual cultural product made available on a streaming platform, considered a television hyperelia, the discussion about the changes impelled to the serial fictional genre is established as an important point for a contextualization for the extension where our object of investigation is established. Furthermore, explaining the operability of humor, irony and stereotypes in the composition of a narrative, specifically, is another circumstance debated in this study since all these elements are challenged in the SuperDrags series. And finally, in an attempt to understand SuperDrags' narrative-discursive choices and to supplement the analytical part of our research, it is necessary to clash between what gender and sex regulation push as accepted and what Queer Theory, for its part, argues that it is nothing more than the subversion at the socio-cultural-political level of the domination of the binary system in which sexuality and gender are embedded. As a methodological choice, it is prized for a theoretical-analytical model, so that is why the Discourse Analysis, from a French current, is selected for selecting important concepts that can be chosen for further analysis. Finally, for the analysis, the intention is to verify how the discourses, respectively LGBTI +, religious and erotic combined with intertextuality, circulate in the SuperDrags series, starting from the premise that it is positioned to defend the subversion of domination imposed by gender and sex norms using humor, irony and articulating stereotypes to achieve this goal; and what may be reiterated as a result of this analysis is that our object of study discursively corroborates the assumption of gender and gender subversion.
The main objective of this study is to analyze discursively the statements presented in the LGBTI+ discourse, religious discourse, erotic discourse and the intertextuality contained in the five episodes of the first season of the SuperDrags series, produced and distributed by Netflix platform in 2018. Due to our object of study is configured as a serial audiovisual cultural product made available on a streaming platform, considered a television hyperelia, the discussion about the changes impelled to the serial fictional genre is established as an important point for a contextualization for the extension where our object of investigation is established. Furthermore, explaining the operability of humor, irony and stereotypes in the composition of a narrative, specifically, is another circumstance debated in this study since all these elements are challenged in the SuperDrags series. And finally, in an attempt to understand SuperDrags' narrative-discursive choices and to supplement the analytical part of our research, it is necessary to clash between what gender and sex regulation push as accepted and what Queer Theory, for its part, argues that it is nothing more than the subversion at the socio-cultural-political level of the domination of the binary system in which sexuality and gender are embedded. As a methodological choice, it is prized for a theoretical-analytical model, so that is why the Discourse Analysis, from a French current, is selected for selecting important concepts that can be chosen for further analysis. Finally, for the analysis, the intention is to verify how the discourses, respectively LGBTI +, religious and erotic combined with intertextuality, circulate in the SuperDrags series, starting from the premise that it is positioned to defend the subversion of domination imposed by gender and sex norms using humor, irony and articulating stereotypes to achieve this goal; and what may be reiterated as a result of this analysis is that our object of study discursively corroborates the assumption of gender and gender subversion.
Description
Keywords
streaming estratégias narrativas estudos de gênero análise do discurso SuperDrags narrative strategie gender studies discourse analysis