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O adorno como artifício e articulador do espaço
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Abstract(s)
O adorno enquanto objecto obtém múltiplos significados ao longo da sua existência na adopção fornecida pelo espaço a habitar. Enquanto objecto de decoração que exerce o seu estatuto de maneira a poder afirmar-se perante si e aquilo que o rodeia, o adorno adquire assim uma segunda função, para além da sua morfologia, formula diversos valores que lhe oferecem valor e significado para a sua existência. O adorno enquanto peça, necessita de se adequar aos nossos sentidos, sentidos esses pautados por uma necessidade de buscar a simplicidade nos objectos e a sua melhor forma de funcionamento, dando origem à necessidade de aperfeiçoar os objectos, promovendo a subtracção da matéria.
A subtracção como conceito transversal à evolução da matéria, simplifica o raciocínio de execução de uma função de forma a que consigamos observar o essencial num objecto, que se realiza por entre domínios da fractalidade numa repetição e aleatória que na sua perspectiva de actuar segue uma organização enriquecedora, possibilitando os fragmentos naturais no processo de subtrair. Na junção do processo de trabalho do objecto, nascem objectos de adorno com a potencialidade de se tornarem posteriormente objectos com uma adicional função.
The adornment as an object that gets multiple meanings through in his own existence in the adoption provided the space to inhabit. As while object of decoration that exerts his status for that can be said before it and what surrounds it, adornment adquires a second function, in spite of addition to their morphology, that formulates various values that offer value and meaning for their existence. The adornment as part, needs to adapt to our senses, that are guided by a need to find a simplicity in the objects and their best functionality, giving rise to the need to improve the objects, in order to promove the subtraction of matter. Subtraction as a crosscutting concept of the evolution of matter, simplifies the implementation of thinking in a way function that we can observe the essential an object, which takes place between fields of fractality a repeat and random that in his view of the act follows an organization enriching, allowing natural fragments in the process of subtracting. At the junction of the object of the working process, ornamental objects are born with the potential to make objects with a further additional function.
The adornment as an object that gets multiple meanings through in his own existence in the adoption provided the space to inhabit. As while object of decoration that exerts his status for that can be said before it and what surrounds it, adornment adquires a second function, in spite of addition to their morphology, that formulates various values that offer value and meaning for their existence. The adornment as part, needs to adapt to our senses, that are guided by a need to find a simplicity in the objects and their best functionality, giving rise to the need to improve the objects, in order to promove the subtraction of matter. Subtraction as a crosscutting concept of the evolution of matter, simplifies the implementation of thinking in a way function that we can observe the essential an object, which takes place between fields of fractality a repeat and random that in his view of the act follows an organization enriching, allowing natural fragments in the process of subtracting. At the junction of the object of the working process, ornamental objects are born with the potential to make objects with a further additional function.
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Design industrial Subtração Adorno Fratal