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Além da materialidade: a colagem como ferramenta da cultura visual na contemporaneidade
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Advisor(s)
Abstract(s)
A colagem é uma prática presente na sociedade há centenas de
anos. Desde o século XX, com o aflorar dos movimentos
artísticos de vanguarda na Europa, passou a ocupar um espaço
expressivo no mundo da arte, o que proporcionou uma nova
forma de linguagem e expressão não só ao longo do século,
como também na contemporaneidade. Dessa forma, a presente
investigação busca analisar o papel da colagem como prática
artística e mecanismo de formação de discurso para além de sua
materialidade.
Assim, esta dissertação busca compreender como a colagem, e
os principais conceitos que a constituem, estão diretamente
relacionados com os grandes paradigmas sociais desde a
Modernidade até a Hipercontemporaneidade sob o ponto de
vista de relevantes autores dos campos da Sociologia e da
Filosofia. Além disso, são abordadas diferentes mídias, como
fotografia e cinema, a fim de estabelecer a direta conexão entre
os mesmos e os princípios da colagem. Também é analisada a
presença da colagem na perspectiva da Cultura Visual, a partir
da análise de conceitos como imagem e visualidade.
Por fim, são apresentados exemplos de expansão e
popularização da colagem que endossam a pesquisa, e ajudam a
validar a relevância da colagem não só como prática artística,
mas como instrumento de comunicação e ferramenta da Cultura
Visual contemporânea.
Collage is a practice present in society for hundreds of years. Since the 20th century, with the emergence of avant-garde artistic movements in Europe, it began to occupy an expressive space in the art world, which provided a new form of language and expression not only throughout the century, but also in contemporary times. Thus, the present investigation seeks to analyze the role of collage as an artistic practice and a mechanism for the formation of discourse beyond its materiality. Thus, this dissertation seeks to understand how collage, and the main concepts that constitute it, are directly related to the great social paradigms from Modernity to Hypercontemporaneity from the point of view of relevant authors in the fields of Sociology and Philosophy. In addition, different media are approached, such as photography and cinema, in order to establish a direct connection between them and the principles of collage. The presence of collage in the perspective of Visual Culture is also analyzed, based on the analysis of concepts such as image and visuality. Finally, examples of the expansion and popularization of collage are presented that support the research, and help to validate the relevance of collage not only as an artistic practice, but as a communication instrument and tool of contemporary Visual Culture.
Collage is a practice present in society for hundreds of years. Since the 20th century, with the emergence of avant-garde artistic movements in Europe, it began to occupy an expressive space in the art world, which provided a new form of language and expression not only throughout the century, but also in contemporary times. Thus, the present investigation seeks to analyze the role of collage as an artistic practice and a mechanism for the formation of discourse beyond its materiality. Thus, this dissertation seeks to understand how collage, and the main concepts that constitute it, are directly related to the great social paradigms from Modernity to Hypercontemporaneity from the point of view of relevant authors in the fields of Sociology and Philosophy. In addition, different media are approached, such as photography and cinema, in order to establish a direct connection between them and the principles of collage. The presence of collage in the perspective of Visual Culture is also analyzed, based on the analysis of concepts such as image and visuality. Finally, examples of the expansion and popularization of collage are presented that support the research, and help to validate the relevance of collage not only as an artistic practice, but as a communication instrument and tool of contemporary Visual Culture.
Description
Keywords
Colagem Cultura visual Construção-Desconstrução Ressignificação Intermedia