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Publication
As narrativas visuais no fotojornalismo: A linha ténue entre a captura do real e a subjetividade artística
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Abstract(s)
Esta investigação propõe-se a analisar o papel do fotojornalismo na construção da realidade social, explorando o equilíbrio entre a objetividade jornalística e a subjetividade artística. Partindo da premissa de que as imagens jornalísticas não são meros reflexos do mundo, mas construções subjetivas do mesmo, o presente trabalho discute como as narrativas visuais são utilizadas no fotojornalismo para servir o seu principal propósito: o de informar. A fundamentação teórica centra-se na influência que o jornalismo tem na mediação da realidade, mas percorre também outros temas, entre eles o novo paradigma digital, a ética e a responsabilidade jornalísticas e o crescimento das ferramentas de inteligência artificial (IA). Numa segunda parte do trabalho, foram adotadas duas metodologias de investigação - entrevistas e análise de conteúdo -, cujos resultados permitiram concluir que o fotojornalismo tem, de facto, um valioso papel na construção da realidade social, mas que, para se manter relevante e conseguir ter um crescimento sustentável e duradouro, é essencial que os profissionais da área se consigam adaptar, correndo o risco de perderam a sua relevância numa sociedade cada vez mais inundada de informação e conteúdos multimédia.
This research aims to analyze the role of photojournalism in the construction of social reality, exploring the balance between journalistic objectivity and artistic subjectivity. Based on the premise that journalistic images are not mere reflections of the world, but subjective constructions of it, this work discusses how visual narratives can be used in photojournalism to serve its main purpose: to inform. The theoretical foundation focuses on the influence that journalism has on the action of reality, but also covers other topics, including the new digital paradigm, partly made up of social networks, journalistic ethics and responsibility and the growth of artificial intelligence (AI) tools. In the second part of the work, two research methodologies were adopted - interviews and content analysis - the results of which led to the conclusion that photojournalism does indeed play a valuable role in the construction of social reality, but that in order to remain relevant and achieve sustainable and lasting growth, it is essential that professionals in the field are able to adapt, at the risk of losing their relevance in a society increasingly flooded with information and multimedia content.
This research aims to analyze the role of photojournalism in the construction of social reality, exploring the balance between journalistic objectivity and artistic subjectivity. Based on the premise that journalistic images are not mere reflections of the world, but subjective constructions of it, this work discusses how visual narratives can be used in photojournalism to serve its main purpose: to inform. The theoretical foundation focuses on the influence that journalism has on the action of reality, but also covers other topics, including the new digital paradigm, partly made up of social networks, journalistic ethics and responsibility and the growth of artificial intelligence (AI) tools. In the second part of the work, two research methodologies were adopted - interviews and content analysis - the results of which led to the conclusion that photojournalism does indeed play a valuable role in the construction of social reality, but that in order to remain relevant and achieve sustainable and lasting growth, it is essential that professionals in the field are able to adapt, at the risk of losing their relevance in a society increasingly flooded with information and multimedia content.
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Keywords
Fotojornalismo Narrativas visuais Construção social da realidade Subjetividade artística Inteligência Artificial