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Publication
Da representação à autonomia: resgate, identidade e resistência da arte afro-brasileira
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| 94.59 MB | Adobe PDF |
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Advisor(s)
Abstract(s)
A arte atua como memória gráfica do tempo, apresenta
caminhos de acesso à história e consolida-se como símbolo
criativo que descreve a sociedade que se tem ao redor. Se
colocado em contexto a história da arte no Brasil, artistas
negros estão cada vez mais assumindo o controle de suas
próprias representações e criando arte a partir de suas próprias
perspectivas. Porém, essa é uma realidade atual. Colocando em
pauta um país comprometido com um passado escravagista,
onde a representação do negro era enquadrada em numa
situação servil, de inferioridade, construiu-se uma narrativa
onde a raça produz e perpertua um sistema de opressão e
donimação de classe, fazendo-se necessário em tempo vingente
a reconstrução de um novo desenho para história da arte
afro-brasileira. O propósito dessa pesquisa é compreender e
analisar a evolução da figura do negro na história da arte
brasileira a partir da memória de contextos coloniais que
marcaram as relações entre a imagem e sua representação,
propondo um olhar opositivo ao que foi imposto, criando uma
linha do tempo para resgatar o inicio das propagações artísticas,
a desvinculação da representação para a autonomia, revelando a
identidade e resistência na arte brasileira a partir da perspectiva
dos próprios afro-descendentes.
Art acts as a graphic memory of time, presents paths to access history and consolidates itself as a creative symbol that describes the society around it. If placed in the context of art history in Brazil, black artists are increasingly taking control of their own representations and creating art from their own perspectives. However, this is a current reality. Putting on the agenda a country committed to a slavery past, where the representation of black people was framed in a servile, inferior situation, a narrative was constructed where race produces and perpetuates a system of oppression and class domination, making it necessary in time, the reconstruction of a new design for the history of Afro-Brazilian art. The purpose of this research is to understand and analyze the evolution of the figure of black people in the history of Brazilian art based on the memory of colonial contexts that marked the relationships between the image and its representation, proposing an oppositional look at what was imposed, creating a line of time to rescue the beginning of artistic propagations, the decoupling of representation towards autonomy, revealing identity and resistance in Brazilian art from the perspective of Afro-descendants themselves.
Art acts as a graphic memory of time, presents paths to access history and consolidates itself as a creative symbol that describes the society around it. If placed in the context of art history in Brazil, black artists are increasingly taking control of their own representations and creating art from their own perspectives. However, this is a current reality. Putting on the agenda a country committed to a slavery past, where the representation of black people was framed in a servile, inferior situation, a narrative was constructed where race produces and perpetuates a system of oppression and class domination, making it necessary in time, the reconstruction of a new design for the history of Afro-Brazilian art. The purpose of this research is to understand and analyze the evolution of the figure of black people in the history of Brazilian art based on the memory of colonial contexts that marked the relationships between the image and its representation, proposing an oppositional look at what was imposed, creating a line of time to rescue the beginning of artistic propagations, the decoupling of representation towards autonomy, revealing identity and resistance in Brazilian art from the perspective of Afro-descendants themselves.
Description
Keywords
Representação Autonomia Identidade Arte afro-brasileira Resistência