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Bandim: a cultura em movimento
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Autores
Orientador(es)
Resumo(s)
As expressões culturais, na África Ocidental, são complexas na
utilização de diferentes ferramentas artísticas, que podem ajudar a
enfrentar desafios sociais e económicos, dentro das comunidades.
A presente dissertação é um estudo de caso sobre um grupo
artístico, os Netos de Bandim, e o seu esforço em ajudar a sua
comunidade, nos subúrbios de Bissau, Guiné-Bissau. A metodologia
utilizada é qualitativa. O enquadramento da pesquisa baseia-se nos
princípios da Ground Based Theory e a investigação antropológica. Os
dados foram recolhidos durante um período de dois anos no país e
combinam factos com notas, sentimentos e auto-expressão. Estes
princípios basilares são incorporados na redação do texto que conta com
fundamentos da Investigação Baseada nas Artes
O projeto explora diferentes aspetos, organizativos, metodológicos
e sociais que compõem os modos de operar do grupo. As suas atividades
criam um espaço de partilha, comunicação, debate e ação. Através da
educação não formal e informal, estes encontros criam uma rede humana,
partilhando conhecimentos e a entreajuda dos seus elementos, tanto a
nível social como económico. Netos de Bandim é um grupo de dança
guineense com bastante dinâmica na cena artística, tanto a nível local
como internacional. Trabalham para preservação da sua cultura no
domínio das manifestações cénicas. Os espetáculos e apresentações
geram fundos investidos na educação e bem-estar dos seus membros. O
seu trabalho inspira a paz e o diálogo multicultural no país, lutando pela
disseminação de boas práticas, igualdade de género e esperança.
Cultural expressions in West Africa are complex. Performances and gatherings using dance and music as artistic tools can help to address social and economic challenges within communities. This dissertation is a case study of an artistic group, Netos de Bandim, and its efforts to help its community in the suburbs of Bissau, Guinea-Bissau. The dissertation methodology is qualitative and the framework is based on the principles ground-based theory and anthropological research. The data was collected over a period of two years in the country and combines facts with field notes, subjective views and self-expression. The project explores different facets of the group's activities. Its work creates a space for sharing, communication, debate and action. Through non-formal and informal education, these meetings create a human network, sharing knowledge and helping one another socially and economically. Netos de Bandim is one of Guinea's most famous dance groups. Performers work hard to preserve their culture and have reached a high technical level in their field. Their shows generate funds that are invested in the education and wellbeing of their members, especially the children who are part of the group. Their work inspires peace and multicultural dialogue in the country, striving to spread good practices, gender equality and hope.
Cultural expressions in West Africa are complex. Performances and gatherings using dance and music as artistic tools can help to address social and economic challenges within communities. This dissertation is a case study of an artistic group, Netos de Bandim, and its efforts to help its community in the suburbs of Bissau, Guinea-Bissau. The dissertation methodology is qualitative and the framework is based on the principles ground-based theory and anthropological research. The data was collected over a period of two years in the country and combines facts with field notes, subjective views and self-expression. The project explores different facets of the group's activities. Its work creates a space for sharing, communication, debate and action. Through non-formal and informal education, these meetings create a human network, sharing knowledge and helping one another socially and economically. Netos de Bandim is one of Guinea's most famous dance groups. Performers work hard to preserve their culture and have reached a high technical level in their field. Their shows generate funds that are invested in the education and wellbeing of their members, especially the children who are part of the group. Their work inspires peace and multicultural dialogue in the country, striving to spread good practices, gender equality and hope.
Descrição
Palavras-chave
Cultura na África Ocidental Arte para a Paz Dança Tradicional Africana Artes na Guiné-Bissau Artes e Educação Social Práticas artísticas e comunitárias Culture in West Africa Art for Peace African Traditional Dance Arts in Guinea-Bissau Arts and Social Education Arts in the Community