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Guernica de Picasso: Elemento potenciador do turismo militar em cidades bombardeadas
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Abstract(s)
No dia 26 de Abril de 1937, a cidade basca de Guernica sofreu um intenso e mortífero bombardeamento aéreo protagonizado por aviões italianos e alemães. Tal acontecimento veio a ser imortalizado por Pablo Picasso no célebre mural que foi exposto pela primeira vez no pavilhão da república espanhola, na Exposição Internacional de Paris, realizada em Maio de 1937.
“Guernica-Gernikara”, que podia ser o título da presente dissertação, tornou-se numa frase emblemática que traduz o apego dos bascos à sua identidade, expresso aliás no vigor com o qual reclamam a deslocação da obra para a cidade-berço do País Basco.
O presente trabalho procura assim refletir sobre a relevância adquirida pelo mural de Picasso na motivação do turista para visitar a cidade e as suas variadas atrações turísticas. Para o efeito, procurar-se-á analisar o papel desempenhado pela obra de arte no surgimento e incremento do turismo militar nesta cidade, partindo do conceito de dark tourism, o qual tem beneficiado de um importante desenvolvimento nos últimos anos. Abarcando o turismo em Espanha, país da Europa em que o setor turístico assume particular destaque, tal nicho de turismo tem uma enorme potencialidade que começa a ser atualmente explorada.
On the April 26th of 1937, the Basque town of Guernica suffered an intense and deadly aerial bombing carried out by Italian and German airplanes. Such an event became immortalized by Pablo Picasso on the famous mural that was first exposed in the Spanish Republic pavilion at the Paris International Exhibition, held in 1937. "Guernica-Gernikara”, which could be the title of this thesis, became an emblematic phrase that translates the aspiration of the local people to see this artwork moved to the Basque Country´s birthplace. This paper analyzes the relevance acquired by Picasso mural on the tourist motivation to visit the city and its many tourist attractions. For this purpose, we will attempt to analyze the role played by the artwork in the emergence and growth of military tourism in this city, starting from the concept of dark tourism, which has benefited from an important development in recent years. Encompassing tourism in Spain, European country where the tourism sector is particularly prominent, this sector of the tourism has a huge potential that is currently beginning to be exploited.
On the April 26th of 1937, the Basque town of Guernica suffered an intense and deadly aerial bombing carried out by Italian and German airplanes. Such an event became immortalized by Pablo Picasso on the famous mural that was first exposed in the Spanish Republic pavilion at the Paris International Exhibition, held in 1937. "Guernica-Gernikara”, which could be the title of this thesis, became an emblematic phrase that translates the aspiration of the local people to see this artwork moved to the Basque Country´s birthplace. This paper analyzes the relevance acquired by Picasso mural on the tourist motivation to visit the city and its many tourist attractions. For this purpose, we will attempt to analyze the role played by the artwork in the emergence and growth of military tourism in this city, starting from the concept of dark tourism, which has benefited from an important development in recent years. Encompassing tourism in Spain, European country where the tourism sector is particularly prominent, this sector of the tourism has a huge potential that is currently beginning to be exploited.
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Keywords
Guernica Picasso turismo militar Guerra civil de Espanha military tourism Spanish Civil War