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| Científica | 29.61 MB | Adobe PDF |
Authors
Abstract(s)
Esta dissertação pretende ampliar o conhecimento sobre os coretos de festas, nomeadamente nos
exemplos identificados no Concelho de Viana do Castelo, contribuindo, para a sua valorização.
Particularmente no séc. XIX e XX, os concertos gratuitos de música eram uma forma de instruir as
sociedades, promovendo locais de encontro regulares, para pessoas de todos os estatutos e idades
assistirem ao desempenho das bandas filarmónicas. Os coretos constituem a materialização edificada de
um suporte desta manifestação cultural, assumindo-se como elementos fundamentais na promoção das
suas relações comunitárias.
Ao longo dos tempos, assistiu-se a uma demolição progressiva e generalizada, em função da reduzida
área de palco, insuficiente para albergar as bandas filarmónicas, com todos os seus elementos e
instrumentos. Estruturas temporárias, como palcos reversíveis, constituíram-se como um complemento ou
alternativa a esta solução. Atualmente, existem dezanove exemplares no Concelho de Viana do Castelo,
alguns abandonados ou em avançado estado de degradação, utilizados esporadicamente em ocasiões
festivas de carácter popular. Do espólio analisado apenas dois são classificados como monumentos, de
entre um conjunto total de setenta e dois coretos nacionais.
Na prossecução dos objetivos estabelecidos, procedeu-se à identificação e caraterização dos exemplos
ainda existentes, indicando as suas caraterísticas formais e funcionais fundamentais, tendo como base a
estrutura de inventariação do Sistema de Informação para o Património Arquitetónico (SIPA), gerido pela
Direção-Geral do Património Cultural (DGPC). Complementarmente, procurou-se interpretar a sua relação
com o espaço público de enquadramento, assim como a sua relação com os elementos arquitetónicos de
referência nas suas imediações. Da confrontação efetuada, assinalando as constâncias e assimetrias
verificadas no conjunto inventariado, foi realizada uma terceira correlação incidindo objectivamente na
comparação com as caraterísticas dos dois elementos classificados e na eventual possibilidade de
extrapolação do seu regime de excepcionalidade.
ABSTRACT This dissertation intends to enlarge the knowledge about the party bandstands, particularly in the examples identified in the Municipality of Viana do Castelo, contributing, to their valorization. Particularly in the 19th and 20th century, free music concerts were a way of educating societies, promoting regular meeting places for people of all statutes and ages to watch the performance of philharmonic bands. The bandstands constitute the built-up materialization of a support of this cultural manifestation, assuming themselves as fundamental elements in the promotion of their community relations. Over time, there has been a progressive and generalized demolition, due to the small area of the stage, insufficient to accommodate the philharmonic bands, with all its elements and instruments. Temporary structures, such as reversible stages, were constituted as a complement or alternative to this solution. Currently, there are nineteen copies in the Municipality of Viana do Castelo, some abandoned or in an advanced state of degradation, used sporadically on festive occasions of popular character. Of the estate analyzed, only two are classified as monuments, out of a total of seventy two national bandstands. In the pursuit of the established objectives, we identified and characterized the still existing examples, indicating their fundamental formal and functional characteristics, based on the inventory structure of the Information System for Architectural Heritage, managed by the Directorate-General of Cultural Heritage. In addition, it was sought to interpret its relation with the public space of framing, as well as its relation with the architectural elements of reference in its surroundings. From the comparison made, indicating the constants and asymmetries verified in the inventoried set, a third correlation was carried out objectively in the comparison with the characteristics of the two classified elements and in the possible possibility of extrapolation of its exceptionality regime.
ABSTRACT This dissertation intends to enlarge the knowledge about the party bandstands, particularly in the examples identified in the Municipality of Viana do Castelo, contributing, to their valorization. Particularly in the 19th and 20th century, free music concerts were a way of educating societies, promoting regular meeting places for people of all statutes and ages to watch the performance of philharmonic bands. The bandstands constitute the built-up materialization of a support of this cultural manifestation, assuming themselves as fundamental elements in the promotion of their community relations. Over time, there has been a progressive and generalized demolition, due to the small area of the stage, insufficient to accommodate the philharmonic bands, with all its elements and instruments. Temporary structures, such as reversible stages, were constituted as a complement or alternative to this solution. Currently, there are nineteen copies in the Municipality of Viana do Castelo, some abandoned or in an advanced state of degradation, used sporadically on festive occasions of popular character. Of the estate analyzed, only two are classified as monuments, out of a total of seventy two national bandstands. In the pursuit of the established objectives, we identified and characterized the still existing examples, indicating their fundamental formal and functional characteristics, based on the inventory structure of the Information System for Architectural Heritage, managed by the Directorate-General of Cultural Heritage. In addition, it was sought to interpret its relation with the public space of framing, as well as its relation with the architectural elements of reference in its surroundings. From the comparison made, indicating the constants and asymmetries verified in the inventoried set, a third correlation was carried out objectively in the comparison with the characteristics of the two classified elements and in the possible possibility of extrapolation of its exceptionality regime.
Description
Keywords
Coreto Património cultural Função recreativa Festividades Espaço público