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O recrutamento nas organizações criminosas, a permeabilidade nas FSS e sua representação cinematográfica: Operação Maré Negra.
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Orientador(es)
Resumo(s)
A complexidade e a diversidade teórica associadas ao conceito de crime organizado continuam a suscitar desafios à sua definição e compreensão no campo das ciências sociais. Dentro deste fenómeno emergem problemáticas igualmente densas, entre as quais se destaca o processo de recrutamento de indivíduos para organizações criminosas, os mecanismos que o sustentam e as formas como é representado nos produtos culturais e mediáticos. Partindo desta premissa, a presente dissertação tem como objetivo analisar as representações cinematográficas do recrutamento para o crime organizado, tomando como caso de estudo a série “Operação Maré Negra “(Temporada 1), através da análise de conteúdo categorial aplicada aos diálogos e interações entre personagens, procurou-se identificar as dimensões individuais, estruturais e processuais que configuram o percurso de integração no universo criminal, bem como as narrativas simbólicas que moldam a perceção social do crime, da moralidade e da justiça.
The complexity and theoretical diversity associated with the concept of organized crime continue to pose significant challenges to its definition and understanding within the field of social sciences. Within this phenomenon, equally intricate issues emerge, notably the process of recruiting individuals into criminal organizations, the mechanisms that sustain it, and the ways in which it is represented in cultural and media productions. Building on this premise, the present dissertation aims to analyze the cinematic representations of recruitment into organized crime, taking as its case study the television series Operação Maré Negra (Season 1). Through the application of categorical content analysis to the dialogues and interactions between characters, the study seeks to identify the individual, structural, and processual dimensions that shape the path of integration into the criminal universe, as well as the symbolic narratives that influence the social perception of crime, morality, and justice.
The complexity and theoretical diversity associated with the concept of organized crime continue to pose significant challenges to its definition and understanding within the field of social sciences. Within this phenomenon, equally intricate issues emerge, notably the process of recruiting individuals into criminal organizations, the mechanisms that sustain it, and the ways in which it is represented in cultural and media productions. Building on this premise, the present dissertation aims to analyze the cinematic representations of recruitment into organized crime, taking as its case study the television series Operação Maré Negra (Season 1). Through the application of categorical content analysis to the dialogues and interactions between characters, the study seeks to identify the individual, structural, and processual dimensions that shape the path of integration into the criminal universe, as well as the symbolic narratives that influence the social perception of crime, morality, and justice.
Descrição
Palavras-chave
crime organizado recrutamento representações cinematográficas “operação maré negra” análise de conteúdo teorias sociológicas do desvio racionalidade criminal vulnerabilidade social organized crime Organized crime recruitment cinematic representations “Operação Maré Negra” content analysis sociological theories of deviance criminal rationality social vulnerability.