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A diary of a polish architect and film maker from his travels to the west. Modern Italian architecture in the Polish documentaries dating back to the turn of the 1950s and 1960s

dc.contributor.authorNADOLNY, Adam
dc.date.accessioned2018-10-30T10:36:14Z
dc.date.available2018-10-30T10:36:14Z
dc.date.issued2018-10-25
dc.descriptionThis article constitutes part of the studies the author carried out at the Faculty of Architecture at Poznan University of Technology, Poland within the framework of the research project entitled the "Architecture and the city in Polish feature films of the 1960s, 1970s and 1980s", stage V [10/04/DSPB/0142]pt_PT
dc.description.abstractAt the end of the 1950s and the beginning of the 1960s, travelling to the Western countries was to a large extent limited for an average citizen of the socialist Poland. After the democratisation of the country in 1956 travelling options improved a bit, however, the Poles could not travel as freely as they do today. Polish architects could learn about the architecture of Western Europe mainly from such sources as the magazines and occasional travels. In the second half of the 1950s and the beginning of the 1960s, a documentary film became a new medium presenting modern architecture. This article shows how modern architecture of Italy presented in the documentary films of the turn of the 1950s and 1960s supplemented the knowledge of Polish architects on modern Europe in that period. The film image was, on the one hand, a form of a public diary from the travels and, on the other hand, a medium which recorded and preserved the images of places popular with tourists and showed these images to the Polish architects who were not allowed to travel there.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationNADOLNY, Adam – A diary of a polish architect and film maker from his travels to the west. Modern Italian architecture in the Polish documentaries dating back to the turn of the 1950s and 1960s in REGIONALISM, NATIONALISM & MODERN ARCHITECTURE. Proceedings. Porto: CEAA, 2018, p. 250-264pt_PT
dc.identifier.isbn978-972-8784-82-9
dc.identifier.urihttp://hdl.handle.net/10400.26/24594
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherCEAA/ESAP-CESAPpt_PT
dc.relation.publisherversionhttp://hdl.handle.net/10400.26/24574pt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectmodern architecturept_PT
dc.subjectregionalismpt_PT
dc.subjectthe Westpt_PT
dc.subjectdocumentary filmspt_PT
dc.titleA diary of a polish architect and film maker from his travels to the west. Modern Italian architecture in the Polish documentaries dating back to the turn of the 1950s and 1960spt_PT
dc.typeconference object
dspace.entity.typePublication
oaire.citation.conferencePlacePortopt_PT
oaire.citation.endPage264pt_PT
oaire.citation.issue1pt_PT
oaire.citation.startPage250pt_PT
oaire.citation.titleREGIONALISM, NATIONALISM & MODERN ARCHITECTUREpt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typeconferenceObjectpt_PT

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