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Publication
Memórias emotivas: interpretação visuais de textos de Sophia de Mello Breyner
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| 115.74 MB | Adobe PDF |
Advisor(s)
Abstract(s)
O presente projecto teve como premissa recolher diferentes interpretações, por parte de oito sujeitos distintos escolhidos criteriosamente, daquilo que estes sentiram com a leitura de um conjunto de sete excertos seleccionados de contos de Sophia de Mello Breyner.
Com esta pesquisa procurei colher novas interpretações daquilo que um dia para os sujeitos não passaram de, simples contos e histórias, que pouco mais possuíam do que, príncipes e princesas, florestas e montanhas, em conjuntos de caracteres que liam, sem pausa, nem questionamento.
Ambicionei explorar, decifrar e representar toda a mágoa, lembranças, momentos bons e menos bons, a que estes sujeitos estiveram expostos ao longo das suas vidas, que os fazem agora observar tudo isto com um novo olhar.
No desenvolvimento deste projecto, a cada uma das duas diferentes disciplinas utilizadas, a fotografia e ilustração, desde cedo foi conferido um papel. A fotografia foi utilizada como a representação fiel da realidade e a ilustração representou graficamente o que cada um dos sujeitos sentiu, viveu ou recordou, no seio da sua própria realidade.
Da sobreposição quase constante destas duas disciplinas obtiveram-se imagens que se pretendeu que fossem polissémicas e expressivas. Estas imagens constituem-se assim como a minha interpretação daquilo que cada sujeito expressou verbalmente.
The present project had as a premise to collect different interpretations, from eight distinctly chosen subjects, of what they felt by reading a set of seven excerpts selected from short stories by Sophia de Mello Breyner.With this research I tried to gather new interpretations of what one day the subjects were nothing more than simple tales and stories that they had little more than princes and princesses, forests and mountains, in sets of characters that read, without pause or questioning .I have explored, deciphered and represented all the hurt, memories, good times and not so good, to which these subjects have been exposed throughout their lives, which now make them observe all this with a new look.In the development of this project, each of the two different disciplines used, photography and illustration, was given a role early. Photography was used as the faithful representation of reality and the illustration represented graphically what each of the subjects felt, lived or remembered, within their own reality. From the almost constant overlap of these two disciplines images were obtained that were supposed to be polysemic and expressive. These images are thus like my interpretation of what each subject expressed verbally.
The present project had as a premise to collect different interpretations, from eight distinctly chosen subjects, of what they felt by reading a set of seven excerpts selected from short stories by Sophia de Mello Breyner.With this research I tried to gather new interpretations of what one day the subjects were nothing more than simple tales and stories that they had little more than princes and princesses, forests and mountains, in sets of characters that read, without pause or questioning .I have explored, deciphered and represented all the hurt, memories, good times and not so good, to which these subjects have been exposed throughout their lives, which now make them observe all this with a new look.In the development of this project, each of the two different disciplines used, photography and illustration, was given a role early. Photography was used as the faithful representation of reality and the illustration represented graphically what each of the subjects felt, lived or remembered, within their own reality. From the almost constant overlap of these two disciplines images were obtained that were supposed to be polysemic and expressive. These images are thus like my interpretation of what each subject expressed verbally.
Description
Keywords
Cultura visual Ilustração Fotografia Memórias Vivências Projeto de mestrado