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DIÁSPORA, SAUDADE E ESPAÇOS LIMINARES NO CINEMA CONTEMPORÂNEO

datacite.subject.fosHumanidades::Artespt_PT
dc.contributor.advisorAraújo, Nelson
dc.contributor.advisorRosa, Liliana
dc.contributor.authorKhodr, Yohanan
dc.date.accessioned2024-01-09T16:40:37Z
dc.date.available2024-01-09T16:40:37Z
dc.date.issued2023-12-11
dc.description.abstractThis thesis explores the intersection of diaspora, liminal spaces, and saudade in contemporary cinema. Drawing on the theories of Hamid Naficy, Avtar Brah, and Robin Cohen, the study examines the representation of diasporic experiences and identities in films from different regions and contexts. Additionally, the thesis delves into the concept of saudade and its representation in Lusophone literature through the works of various authors. Through the analysis of nine selected films and works of literature, the study aims to identify patterns and tendencies in the representation of diaspora and liminal spaces in cinema and saudade in cinema and literature. Overall, the research contributes to the understanding of diaspora, liminal spaces, and saudade as crucial themes in contemporary cinema and literature.pt_PT
dc.identifier.tid203459067pt_PT
dc.identifier.urihttp://hdl.handle.net/10400.26/48781
dc.language.isoporpt_PT
dc.subjectdiásporapt_PT
dc.subjectsaudadept_PT
dc.subjectespaços liminarespt_PT
dc.titleDIÁSPORA, SAUDADE E ESPAÇOS LIMINARES NO CINEMA CONTEMPORÂNEOpt_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.grantorEscola Superior de Artes e Design
thesis.degree.nameRealização - Cinema e Televisãopt_PT

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