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Art and Utopuia. The Sirens“ Lesson

dc.contributor.authorNEVES, Eduarda
dc.date.accessioned2018-02-20T21:05:07Z
dc.date.available2018-02-20T21:05:07Z
dc.date.issued2014-06
dc.description.abstractCritical Studies: Art, Becoming and Participation marks the launch of the Visual Arts and Critical Studies Group, recently formed within the scope of the Arnaldo AraĆŗjo Research Centre (CEAA). The book seeks to rehearse what may become, in the next future, a Brute Theory, whose territories of action remain under definition but whose company we wish to keep along future trajectories. As the singular is a collective, in this publication dispersion overrides the search for any type of unity. Brute Theory, as a pocket of resistance to current models of academic domination anchored in profitable, efficient and, as repeatedly stated, competitive research, proposes precarious dynamics, such as risk and drift.pt_PT
dc.description.sponsorshipSecção Autónoma de Teoria e História da ESAPpt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationNEVES, Eduarda - Art and Utopuia. The Sirens“ Lesson in CRITICAL STUDIES NOTES: ART, BECOMING AND PARTICIPATION #13. Porto: CEAA, Edições Caseiras 22, 2014, p. 9-13pt_PT
dc.identifier.issn978-972-8784-52-2
dc.identifier.urihttp://hdl.handle.net/10400.26/21370
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherCEAA/ESAP-CESAPpt_PT
dc.relation.ispartofseries22;
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectArte Contemporâneapt_PT
dc.subjectContemporary Artpt_PT
dc.titleArt and Utopuia. The Sirens“ Lessonpt_PT
dc.typebook part
dspace.entity.typePublication
oaire.citation.conferencePlacePortopt_PT
oaire.citation.endPage13pt_PT
oaire.citation.issue1ĀŖpt_PT
oaire.citation.startPage9pt_PT
oaire.citation.titleCRITICAL STUDIES NOTES: ART, BECOMING AND PARTICIPATION #13pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typebookPartpt_PT

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