Gerhard Ritcher: between the sayable and the Intelligible

SUSIGAN, Cristina

Publication

Gerhard Ritcher: between the sayable and the Intelligible

2020-03-25Conference object

dc.contributor.author	SUSIGAN, Cristina
dc.date.accessioned	2020-03-25T21:26:52Z
dc.date.available	2020-03-25T21:26:52Z
dc.date.issued	2020-03-25
dc.description.abstract	It is a fact that the history of art has sought new theoretical foundations and new methodologies, driven by the desire to become more "global". In Peter Sloterdijk's thinking, art is more potent and therefore would reject any categorization (2014, 479), going beyond the sayable and the intelligible; Gilles Deleuze (2001: 88) says: "Art thinks only of philosophy, but thinks of objects and percepts". In the heated debate provoked by this desire for a more critical Art History, a question can be raised: Who holds the power in the field today and where do the theories that govern the interpretations emanate, for the restructuring of a more democratic and inclusive Art History? This communication aims to question the artistic representation produced after World War II and the multiple connections that help to sediment what we can call "the end of art", in the sense of Hans Belting - like the artist's liberation -, at the same time that debates the end of utopias of the vanguards. In a fragmented world, where according to Theodor Adorno it was impossible to produce poetry after Auschwitz, let us analyze the works of Gerhard Richter (1932-), whose works can be understood as mirrors to reflect a world in which reality and image are equally present in contemporary life, in search, according to the artist "of the truth of the image.	pt_PT
dc.description.version	info:eu-repo/semantics/publishedVersion	pt_PT
dc.identifier.citation	SUSIGAN, Cristina – Gerhard Ritcher: between the sayable and the Intelligible in NOTES ON EUROPE. THE DOGMATIC SLEEP. Proc. Edited by Eduarda Neves, Luís Lima e Nuno Faleiro Rodrigues. Porto: CEAA / ESAP-CESAP, 2020, p. 245-253	pt_PT
dc.identifier.isbn	978-972-8784-96-6
dc.identifier.uri	http://hdl.handle.net/10400.26/31909
dc.language.iso	eng	pt_PT
dc.peerreviewed	yes	pt_PT
dc.publisher	CEAA/ESAP-CESAP	pt_PT
dc.relation.publisherversion	http://hdl.handle.net/10400.26/31889	pt_PT
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/	pt_PT
dc.subject	Art History	pt_PT
dc.subject	Gerhard Richter	pt_PT
dc.subject	sayable and intelligible	pt_PT
dc.title	Gerhard Ritcher: between the sayable and the Intelligible	pt_PT
dc.type	conference object
dspace.entity.type	Publication
oaire.citation.conferencePlace	Porto	pt_PT
oaire.citation.endPage	253	pt_PT
oaire.citation.issue	1	pt_PT
oaire.citation.startPage	245	pt_PT
oaire.citation.title	NOTES ON EUROPE. THE DOGMATIC SLEEP. Proc.	pt_PT
rcaap.rights	openAccess	pt_PT
rcaap.type	conferenceObject	pt_PT