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Autores
Orientador(es)
Resumo(s)
This article aims to discuss the relations between nameable and visible in Pierre Klossowski’s thought and drawings. For this, in first place, a global approach is drawn to the author’s work in its several universes: literary, pictorial and philosophical. Subsequently, from the pictorial expression of his drawings – in a phantasmatic and simulacrum shaped form –, we try to problematize the possibility of a visual economy, from the unveiling of pulsions and desires in the expression of the figures, also taking into consideration the general theory for the circulation of bodies proposed by Klossowski in The Living Currency. Finally, it is sought to reencounter the same Laws of Hospitality, proposed by the author in the literary universe, in his tableaux vivant, drawn in color pencils by means of androgynous bodies that welcome the other, that is the same, and that always revolvesnaround a central figure: Roberte (his wife, Denise).
Descrição
Filiação: Universidade Autónoma de Lisboa (UAL), Escola Superior de Design (ESD) do Instituto Politécnico do
Cávado e do Ave IPCA), IC.Nova, CEAA
Palavras-chave
Desenho Pierre Klossowksi Image thought drawing ekphrasis expressiveness
Contexto Educativo
Citação
LIMA, Luís – Para uma Economia visual do pensamento: Pierre Klossowksi e o Desenho do Invisível, actas da Conferência Internacional de Ilustração e Animação – CONFIA, 2019, Barcelos: Instituto Politécnico do Cávado e do Ave, 2019, p. 284-293
Editora
Instituto Politécnico do Cávado e do Ave