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Europe's Architectural Identity – a visualisation method of ideas

2020-03-25Conference object Open access
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dc.contributor.authorLENGYEL, Dominik
dc.contributor.authorTOULOUSE, Catherine
dc.date.accessioned2020-03-25T21:20:04Z
dc.date.available2020-03-25T21:20:04Z
dc.date.issued2020-03-25
dc.description.abstractEurope is also architecture. When Jacques Derrida counts philosophy, democracy and the Enlightenment, architecture is an essential gap. There is a number of artistic expressions, but amongst them architecture, as the space that we live in, plays an exposed role. Architecture is a criterion, a tradition that truly belongs to Europe. A debate on the architectural artistic representation of Europe from the past to the future will consolidate a place for Europe in the world. And this place does not, at least not in the principal sense, yield to the imperialist tradition. On the contrary, Europe’s architecture consists mainly of civilian or clerical buildings. Built architecture though is subject to its deterioration, while the intellectual achievement of architectural projecting and design are what will be left of Europe’s history. Architectural ideas are almost timeless as they always negotiate ourselves in our environment. But ideas are rarely acknowledged as deserved. In most cases, architecture that does not meet today’s needs is considered as part of building archaeology. But there is much more in historic architecture, a wealth of inspirations. Architecture has always been more than buildings. This artistic surplus needs to be exposed, to be presented as a timeless intellectual achievement that goes far beyond its original historical intention. For this we have developed a method that visualizes architectonic ideas. The presentation aims to demonstrate and illustrate this method by several projects developed by the authors in cooperation with archaeological research institutions like Cologne Cathedral and its Predecessors (by order of and exhibited in Cologne Cathedral), The Metropolis of Pergamon (within the German Research Fund Excellence Cluster TOPOI, actually exhibited in Leipzig as part of Sharing Heritage, the European Cultural Heritage Year 2018), The Palatine Palaces (by order of the German Archaeological Institute, both latter exhibited in the Pergamon Museum Berlin).pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationLENGYEL, Dominik; TOULOUSE, Catherine – Europe's Architectural Identity – a visualisation method of ideas in NOTES ON EUROPE. THE DOGMATIC SLEEP. Proc. Edited by Eduarda Neves, Luís Lima e Nuno Faleiro Rodrigues. Porto: CEAA / ESAP-CESAP, 2020, p. 126-137pt_PT
dc.identifier.isbn978-972-8784-96-6
dc.identifier.urihttp://hdl.handle.net/10400.26/31900
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherCEAA/ESAP-CESAPpt_PT
dc.relation.publisherversionhttp://hdl.handle.net/10400.26/31889pt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectArchitecturept_PT
dc.subjectDesignpt_PT
dc.subjectVisualisationpt_PT
dc.subjectUncertaintypt_PT
dc.subjectKnowledgept_PT
dc.titleEurope's Architectural Identity – a visualisation method of ideaspt_PT
dc.typeconference object
dspace.entity.typePublication
oaire.citation.conferencePlacePortopt_PT
oaire.citation.endPage137pt_PT
oaire.citation.issue1pt_PT
oaire.citation.startPage126pt_PT
oaire.citation.titleNOTES ON EUROPE. THE DOGMATIC SLEEP. Proc.pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typeconferenceObjectpt_PT

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