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The use of scenographic interventions for social engagement in contested public spaces: the case of the south walled city of Nicosia

dc.contributor.authorHADJILOUCA, Marina
dc.date.accessioned2022-02-05T13:55:18Z
dc.date.available2022-02-05T13:55:18Z
dc.date.issued2021-11
dc.description.sponsorshipThis work was published in a book funded by national funds through FCT - Fundação para a Ciência e a Tecnologia, I.P., within the project UIDB/04041/2020 (Centro de Estudos Arnaldo Araújo).pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationHADJILOUCA, Marina – “The use of scenographic interventions for social engagement in contested public spaces: the case of the south walled city of Nicosia” in Jorge Palinhos; Josefina González Cubero; Luísa Pinto (Ed.) DRAMATIC ARCHITECTURES. THEATRE AND PERFORMING ARTS IN MOTION. Porto: CEAA/ESAP-CESAP, 2021, p.273-286.pt_PT
dc.identifier.isbn978-972-8784-92-8
dc.identifier.isbn978-972-8784-93-5
dc.identifier.urihttp://hdl.handle.net/10400.26/39197
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherCEAA/ESAP-CESAPpt_PT
dc.relation.ispartofseriesCEAA Editions / 8;
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectDramatic Architecturespt_PT
dc.subjectSCENOGRAPHICpt_PT
dc.subjectSOCIAL ENGAGEMENTpt_PT
dc.subjectPUBLIC SPACESpt_PT
dc.titleThe use of scenographic interventions for social engagement in contested public spaces: the case of the south walled city of Nicosiapt_PT
dc.typebook part
dspace.entity.typePublication
oaire.citation.conferencePlacePortopt_PT
oaire.citation.endPage286pt_PT
oaire.citation.issue1pt_PT
oaire.citation.startPage273pt_PT
oaire.citation.titleDRAMATIC ARCHITECTURES. THEATRE AND PERFORMING ARTS IN MOTION.pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typebookPartpt_PT

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