TOMATO PROJECT. BODY. WORK. POVERTY.

NEVES (ed.), Eduarda

Publication

TOMATO PROJECT. BODY. WORK. POVERTY.

2022-06Book

dc.contributor.author	NEVES (ed.), Eduarda
dc.date.accessioned	2022-07-29T14:19:23Z
dc.date.available	2022-07-29T14:19:23Z
dc.date.issued	2022-06
dc.description.abstract	The body. As in Bong Joon-ho's film Parasite, poverty has a smell. The same smell. And those bodies stink. Houses too. Social inequality crosses these places. An inequality that is also transmissible. Palaces and islands. People's homes. Some are rich and others poor. Bodies of work, survival bodies, divided into production modes, sometimes transformed into modes of repression. The social worker is everywhere, from the factory to the university. A work without pleasure in a pleasureless body. As in the world of Kasper Hauser, in Herzog's film, there are bodies that do not know what a house is. They can only grasp a few words and still don’t understand poetry but they aspire to play the piano in the rhythm of breathing. Necessity and desire stand as common ground of what is building up in time, revealing obstinate ways of being. Resisting the trap of fear, noble flavours and smells of pleasure are called upon. They cause the vibration of another disorienting and subverting body. Appealing to the poetic function that disturbs hierarchical divisions, the alimentary body combines all delusions. It is the violent language of life that speaks through the organism (Nietzsche and Artaud), the orgy (Sade), the force field (Deleuze), through what is the product of social organization (Marx). In this body which we affirm as a chain without beginning or end, it is libertinage, the order of libertine life, desire’s lawless law, and not sexuality’s law, as Foucault so lucidly considered concerning Sade, which we must name here. All sounds of desire, all detachments of thought. Endless freedom. There are those who choose the realm of submissive and boring shadow zones. As in Parasite, we may continue to pretend that we are not relatives. We prefer, however, brighter pictures.	pt_PT
dc.description.sponsorship	This book was funded by national funds through FCT - Fundação para a Ciência e a Tecnologia, I.P., within the projects UIDB/04041/2020 and UIDP/04041/2020 (Arnaldo Araújo Research Centre)	pt_PT
dc.description.version	info:eu-repo/semantics/publishedVersion	pt_PT
dc.identifier.citation	NEVES, Eduarda (Ed.) – TOMATO PROJECT. BODY. WORK. POVERTY. Porto: CEAA/ESAP-CESAP, 2022, (288 páginas).	pt_PT
dc.identifier.isbn	978-972-8784-98-0
dc.identifier.isbn	978-972-8784-99-7
dc.identifier.uri	http://hdl.handle.net/10400.26/41499
dc.language.iso	eng	pt_PT
dc.peerreviewed	yes	pt_PT
dc.publisher	CEAA/ESAP-CESAP	pt_PT
dc.relation	Arnaldo Araújo Research Center
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/	pt_PT
dc.subject	Contemporary Art	pt_PT
dc.subject	Curation	pt_PT
dc.subject	Exhibition	pt_PT
dc.subject	Research	pt_PT
dc.title	TOMATO PROJECT. BODY. WORK. POVERTY.	pt_PT
dc.type	book
dspace.entity.type	Publication
oaire.awardTitle	Arnaldo Araújo Research Center
oaire.awardURI	info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04041%2F2020/PT
oaire.citation.conferencePlace	Porto	pt_PT
oaire.citation.title	TOMATO PROJECT. BODY. WORK. POVERTY.	pt_PT
oaire.fundingStream	6817 - DCRRNI ID
project.funder.identifier	http://doi.org/10.13039/501100001871
project.funder.name	Fundação para a Ciência e a Tecnologia
rcaap.rights	openAccess	pt_PT
rcaap.type	book	pt_PT
relation.isProjectOfPublication	a934ad20-97f0-433f-8dff-a2263e118770
relation.isProjectOfPublication.latestForDiscovery	a934ad20-97f0-433f-8dff-a2263e118770