http://comum.rcaap.pt/handle/123456789/2309 2013-05-22T12:43:10Z 2013-05-22T12:43:10Z Carvalho, Cristina http://comum.rcaap.pt/handle/123456789/3823 2013-03-14T16:34:20Z 2012-01-01T00:00:00Z

Title: The spiritual quest: Europe’s common sacred ground (an historic overview) Authors: Carvalho, Cristina Abstract: A procura espiritual da Humanidade permanece activa e as perspectivas académicas sobre o fenómeno são múltiplas. Na Europa a reverência a poderes supremos começou em grutas e seria depois exibida em estruturas exteriores. Mais tarde, os Gregos Antigos deslocar-se-iam a competições atléticas onde os deuses eram adorados, mas o Cristianismo apagaria as referências pagãs do Império Romano. Quanto à Península Ibérica do século XII, São Bernardo auxiliou a fundação de Portugal, enquanto crentes viajavam até Santiago de Compostela. Durante as Descobertas, o porto de Lisboa acolheu tesouros ultramarinos, mas também a Peste. Duas devoções surgiram para implorar a clemência de Deus: a peregrinação à Guia, em Cascais, e a procissão à Senhora da Saúde. No século XVIII, D. João V patrocinaria santuários marianos em Lamego, na Nazaré e no Cabo Espichel,mas só na ditadura de Salazar erguer-se-ia um santuário de dimensão global, em Fátima. Desde a década de 60 que a Europa testemunha o revivalismo pagão que transformou sítios arqueológicos da UNESCO em templos New Age. Hoje, o adorador virtual assiste a missas online em portáteis com placa wireless, prova de que a procura se mantém, sobrepondo-se aos meios empregues.

2012-01-01T00:00:00Z Carvalho, Cristina http://comum.rcaap.pt/handle/123456789/3670 2013-02-06T11:50:21Z 2012-01-01T00:00:00Z

Title: A Journey Through Time and the European Visual Arts Based on the Novel Orlando, A Biography (A Perspective) Authors: Carvalho, Cristina Abstract: The goal of this analysis is to establish a parallel between Virginia Woolf’s novel Orlando, A Biography, the 1992 film directed by Sally Potter, and a few examples of European canvases that may have inspired both artists. Woolf broke the shackles that still dominated British literature in the 1920s by writing a storyline that encompasses four centuries of a nation’s life and of mixed emotions for the novel’s leading character: Orlando was/is his/her name. Both the book published in 1928 and the film directed in 1992 start by presenting Orlando as an Elizabethan nobleman. As the plot unfolds, much like a caterpillar Orlando will evolve from a shy teenage boy into a confident adult woman. However, Woolf and Potter’s distinctive timelines and perceptions of the world explain the different paths offered by each author to Orlando in the last stages of their works. Focusing on this text’s purpose, its writer shall start by reflecting over some recurrent elements of the book written in 1928 as a means to praise the outstanding cultural background of Virginia Woolf at the time of its production. The following step will be to present canvases produced by painters like George Gower, Claude Monet, Gustav Klimt or even Marcel Duchamp that can be associated both to some excerpts of the novel and/or to scenes from the movie.

2012-01-01T00:00:00Z Carvalho, Cristina http://comum.rcaap.pt/handle/123456789/3669 2013-02-06T11:31:26Z 2012-01-01T00:00:00Z

Title: O Casino Eden de Santo Amaro nas Décadas de 1920 e de 1930 Authors: Carvalho, Cristina

2012-01-01T00:00:00Z MOREIRA, Raquel http://comum.rcaap.pt/handle/123456789/3559 2012-12-21T15:26:21Z 2011-09-01T00:00:00Z

Title: Rencontre de cultures, échanges alimentaires et identités culinaires: la cuisine portugaise sur le temps long Authors: MOREIRA, Raquel Abstract: Cet article tente une réflexion autour de la formation de la cuisine portugaise en se penchant sur le rôle des divers facteurs internes et externes qui, tout au long de l’histoire, ont contribué à enrichir la palette de plats et de goûts qui la caractérise aujourd’hui. La méthodologie de travail est fondée sur la recherche historique et l’analyse de documents. Sur le plan théorico-conceptuel, nous avons recours aux concepts d’alimentation et de cuisine, définis dans le cadre d’une approche culturelle de l’alimentation. Pour introduire l’analyse, nous commençons par une brève présentation du Portugal et de sa cuisine. Nous identifions ensuite les périodes historiques centrales pour la construction de la cuisine portugaise et son évolution. Trois époques historiques sont considérées : la période médiévale, au cours de laquelle le Portugal se forme en tant que nation ; les grandes découvertes maritimes, à partir du XVe siècle, au cours duquel le contact avec des terres lointaines et des cultures inconnues rend possible une multiplicité d’échanges culturels ; et les XIXe et XXe siècles, au cours desquels la cuisine portugaise s’affirme comme élément national tout en maintenant sa perméabilité aux influences externes et sa capacité d’évolution résultant de facteurs d’ordre interne.

2011-09-01T00:00:00Z